The work of Portishead co-founder Geoff Barrow, this sharp-edged though slight first film casts a critical gaze on the ecstasy-fueled club scene. Venal pillhead David (the actor) initially steals from an passed-out supplier, then in another flashback tries to burgle his own parents. In no time, he's upside down in the remains of his car in a woodland – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Declining to free David, with impatience toward city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Darkly Funny Confrontation
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his normal activities. The bigger point – that the ecstasy generation were primarily out for number one – is firmly made. But these vignettes are too thin to adequately prepare us for what to expect when the Woodsman arrives, enraged after David strangles his dog. Still, a darkly funny duel takes hold – David eager to get away; the Woodsman denying his container of scrumpy, determined to dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Sensibility
Just a single important plot development, but it leads to a comically executed rampage on the woodland paths that dips close to rural terror. Director John Minton at last unleashes with his showy imagery: where he was focused intently doing artful shots of insects in the light in the opening part, he now goes all out with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.
Game releases in UK and Irish theaters from November 17.
